Before shooting The Outsiders (1983) and Rumble Fish (1983), Coppola requested to see Koyaanisqatsi, and Reggio arranged a private screening shortly after its completion. The film concludes with another shot of desert rock art similar to the image at the beginning. Press J to jump to the feed. Directed by Godfrey Reggio. Koyaanisqatsi (English: / k oʊ ˌ j ɑː n ɪ s ˈ k ɑː t s iː /), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film produced and directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke. Don’t worry world! [11] But after the campaign ended, the ACLU eventually withdrew its sponsorship, and the IRE unsuccessfully attempted to raise millions of dollars at a fundraiser in Washington, D.C. A shot of hot dogs being sent down rows of conveyors is followed by a shot of people moving up escalators. Select theaters distributed a pamphlet that defined the title and the Hopi prophecies sung in the film, as well as a copy of the soundtrack from Island Records. Koyaanisqatsi has often been compared... to Baraka, though I think the former is much better. A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention. [16] Due to the limited budget, Fricke shot with a 16 mm zoom lens onto 35 mm film. It ultimately was not used in the film; Glass released it as part of his album Glassworks in 1982. The campaign involved invasions of privacy and the use of technology to control behavior. I give the definition because it is the key to the movie. Godfrey Reggio. When the piece is at its fastest, it is characterized by a synthesizer playing the piece's bass line ostinato. [7] However, because of copyright issues, the film was out of print for most of the 1990s. While Fricke was working in Los Angeles, he edited the footage into a 20-minute reel, but "without regard for message or political content". Fricke traveled back to New York City in 1977, during which the New York City blackout occurred. It no longer describes the world in which we live. Koyaanisqatsi Critics Consensus. The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper. Even though the amount of music in the film was almost as long as the film itself, the soundtrack release was only 46 minutes long and featured only samples of the film's pieces. IRE distributed a privately issued release of the film on DVD. Trailer. Rated #9 in the best albums of 1983, and #762 of all-time album.. ", How The Qatsi Trilogy Gave RaMell Ross a New Way of Seeing|The Current|The Criterion Collection, Under the Influence: RaMell Ross on THE QATSI TRILOGY-criterioncollection on YouTube, "11 Films You Didn't Know Were Perfect to Watch on 4/20", My favorite film: Koyaanisqatsi|Film|The Guardian, Hopi Dictionary Hopìikwa Lavàytutuveni: A Hopi-English Dictionary of the Third Mesa Dialect with an English-Hopi Finder List and a Sketch of Hopi Grammar, Warsaw International Film Festival-audience award winning films, https://en.wikipedia.org/w/index.php?title=Koyaanisqatsi&oldid=1002159082, American avant-garde and experimental films, United States National Film Registry films, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, "If we dig precious things from the land, we will invite disaster. A time-lapse shot of a crowd of people who appear to be waiting in a line. Use the HTML below. People eat, play, shop and work at the same speed. From there, it progresses to footage of various natural phenomena such as waves and clouds. The first theatrical run featured four-track Dolby Stereo sound, while later runs featured monaural sound. [12] Production began in 1975 in St. Louis, Missouri. The film, in slow motion, then shows several people reacting to being candidly filmed on the street. Created between 1975 and 1982, the film is an apocalyptic vision of the collision of two different worlds -- urban life … [41] Unlike the IRE release, which featured the film in the open matte format in which it was filmed, the MGM release was cropped into a widescreen aspect as it originally was presented in theaters. More shots of highway traffic are shown, this time in daylight. The next shots are closer shots of cars on a highway. ", "A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans. [30] The prefix koyaanis– means "corrupted" or "chaotic", and the word qatsi means "life" or "existence",[31] literally translating koyaanisqatsi as "chaotic life". [10] Over thirty billboards were used for the campaign, and one design featured a close-up of the human eye, which Reggio described as a "horrifying image. [12] Reggio later chose to shoot in Los Angeles and New York City. A motion picture essay which takes a revealing and shocking look at modern life and its imbalances. Log In Sign Up. It's been that everyone: politics, education, things of the financial structure, the nation state structure, language, the culture, religion, all of that exists within the host of technology. 24.4m members. The rights to Koyaanisqatsi were passed through various multinational entertainment companies, which eventually prevented a home video release. Make no mistake -- you need to get into the right mood to properly enjoy this film. The system was powered by a gel cell battery that lasted for twelve hours, which enabled Fricke to shoot without the use of a generator. See agents for this cast & crew on IMDbPro Directed by . Featured Movie News. The film was produced to celebrate the World Wildlife Fund's ... See full summary ». 86. The film shows at regular speed the operation of machines packaging food. The album was released as a Philip Glass album titled Koyaanisqatsi, rather than a soundtrack to the film. A collection of expertly photographed phenomena with no conventional plot. [42], On January 13, 2012, a Blu-ray version (screen ratio 16:9) was released in Germany. After aerial views of monumental rock formations partly drowned by the artificial Lake Powell, we see a large mining truck causing billows of black dust. The film fades into a shot of a desolate desert landscape. Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. Koyaanisqatsi. 90626-1; Vinyl LP). [43] The Blu-ray was also released in Australia by Umbrella Entertainment on March 22, 2012. So it's not the effect of, it's that everything exists within [technology]. [23] Coppola also decided to introduce and end the film with footage of pictographs from the Great Gallery at Horseshoe Canyon in Utah after visiting the site and becoming fascinated by the ancient sandstone murals.[24]. [27], Reggio stated that the Qatsi films are intended to simply create an experience and that "it is up [to] the viewer to take for himself/herself what it is that [the film] means." Without it, you could make a sincere mistake. An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them. Glass's music for the film is a highly recognizable example of the minimalist school of composition, which is characterized by heavily repeated figures, simple structures, and a tonal (although not in the traditional common practice sense of the word) harmonic language. Synopsis. Don't try to convince others to 'get it' as they won't.The best thing to do is to turn off all of the lights, pump up the sound and absorb yourself in the spectacle that unfolds on the screen. Naqoyqatsi was completed after a lengthy delay caused by funding problems and premiered in the United States on October 18, 2002. Moreover, amongst the consultants to the director are listed such names as Jeffrey Lew, T.A. The first film in a trilogy which was followed by Powaqatsi. Koyaanisqatsi: Life Out of Balance (Koyaanisqatsi: Dengesiz Hayat) - Trailer [HD] Godfrey Reggio, Ron Fricke, Michael Hoenig, Lou Dobbs, Ted Koppel Izlenecekfilm 8:15 Koyaanisqatsi. Three Hopi prophecies sung by a choral ensemble during the latter part of the "Prophecies" movement are translated just prior to the end credits: During the end titles, the film gives Jacques Ellul, Ivan Illich, David Monongye, Guy Debord, and Leopold Kohr credit for inspiration. I just shot the form of things. The sun rises over the city and we see people hurrying to work. The music builds in speed and dynamics throughout the piece's 21 minutes. This is followed by shots of power lines in the desert. Documentary, Avant-Garde. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images. [39] [15] After quitting his waiting job, Fricke traveled with a camera crew to the Four Corners, which was chosen for filming for its "alien look". Pictures of microchips and satellite photography of metropolitan cities are shown, comparing the lay of each of them. It's not that we use technology, we live technology. By the time it's finished, you'll feel like you've been on an exhausting and exhilarating journey that you'll want to take again not long afterwards. Shots of various housing projects in disrepair, and includes footage of the decay and demolition of the Pruitt-Igoe housing project in St. Louis. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. ENTER CITY, STATE OR ZIP CODE GO. Title: Koyaanisqatsi: Life Out Of Balance. He chose Island Alive as the distributor, a company newly formed in 1983 by Chris Blackwell of Island Records,[37] and Koyaanisqatsi was the company's first release. Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The scene with the Boeing 747 on the runway was filmed at Los Angeles International Airport, and was the longest continuous shot in the film. Find the best posts and communities about Koyaanisqatsi on Reddit. [4], The film is the first in the Qatsi film trilogy: it is succeeded by Powaqqatsi (1988) and Naqoyqatsi (2002). [19] Footage filmed by cinematographer Louis Schwartzberg was added into the cloud sequence, and additional stock footage was provided by MacGillivray Freeman Films. ", "Near the day of Purification, there will be cobwebs spun back and forth in the sky. Powered by Reelgood. They felt such footage was "the language [they] were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration". This is followed by shots of people walking along streets in slow motion. [15], The IRE was continuously receiving funding and wanted to continue the project in 1976, using 35 mm film. We suggest using your preferred method for watching a film – such as searching iTunes, Amazon, Netflix, VOD platforms (video-on-demand), or renting/buying a DVD. Koyaanisqatsi (1982) directed by Godfrey Reggio with music by Philip Glass. Related Documentaries. The institute only had $40,000 left in its budget, and Reggio was unsure how to use the small amount of funds. Keep track of everything you watch; tell your friends. Time-lapse photography of shadows of clouds are seen moving across the skyscrapers. Philip Glass's Koyaanisqatsi was originally composed as a film score to the 1982 Godfrey Reggio film of the same name. It was all the same from my standpoint. Following the atomic bomb detonations, the next sequence begins with a shot of sunbathers on a beach, then pans to the San Onofre Nuclear Generating Station in the background. If you do this, you'll experience one of the most breathtaking, moving and exciting pieces of art ever. The television advertisements aired during prime-time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. Man's continued involvement in the environment is depicted through images of mining operations, oil fields, the Navajo Generating Station, the Glen Canyon Dam, and atomic bomb detonations in a desert. Door deze film ben ik naar de muziek van Glass gaan luisteren en voor mij is dat al tig jaar het summum op muziekgebied. In a corrupt, greed-fueled world, a powerful alchemist leads a messianic character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment. Read full review [10] Godfrey described the two-year campaign as "extraordinarily successful," and as a result, Ritalin (methylphenidate) was eliminated as a behavior-modifying drug in many New Mexico school districts. For the time-lapse footage, Fricke purchased a Mitchell camera,[16] and built a motor with an intervalometer, which was used to precisely move the camera between frames. The unedited footage was screened in Santa Fe, New Mexico, but Fricke said it was "boring as hell" and there were "not that many good shots". Koyaanisqatsi is followed by the sequels Powaqqatsi and Naqoyqatsi and the shorts Anima Mundi and Evidence. The film's introduction to human involvement in the environment is a low aerial shot of choppy water, cutting to a similar shot of rows of cultivated flowers. The sequence uses time-lapse photography of the activity of modern life. A grey paper backdrop was displayed in Times Square, and Fricke stood 10 feet (3 m) back with the camera. [44] In December 2012, Criterion released a remastered DVD and Blu-ray of Koyaanisqatsi, as part of a box set containing the Qatsi Trilogy. [26], One piece written for the film, "Façades", was intended to be played over a montage of scenes from New York's Wall Street. User account menu. The first aerial footage was too "shaky", so additional footage was taken from a camera mounted onto the airplane. [17], In addition to footage shot by Fricke, some of the footage of people and traffic in New York City was shot by cinematographer Hilary Harris. This story has been shared 7,314 times. 163 of 176 people found this review helpful. Fricke and his focus puller, Robert Hill, filmed at the airport every day for two weeks. The first take was shot throughout the day for twelve hours, then the film was rewound and the same scene was shot at night for twenty minutes. The camera follows a flaming rocket engine and a white vapor trail or smoke against a blue sky as the debris plummets toward the ground. "[11] To produce the television commercials the IRE hired cinematographer Ron Fricke, who worked on the project for two years. Price, Belle Carpenter, Cybelle Carpenter, Langdon Winner, and Barbara Pecarich. A fictionalized account in four chapters of the life of celebrated Japanese writer Yukio Mishima. [15] Fricke later moved to Los Angeles, and took a job as a waiter, unable to get a job in the film industry. In 1998, Glass re-recorded and released the full score as a separate release. View production, box office, & company info. [30] The film also defines the word as "crazy life", "life in turmoil", "life disintegrating", and "a state of life that calls for another way of living".[32]. This is followed with stock footage of Soviet tanks lined up in rows and a military aircraft, and an aircraft carrier. Get a sneak peek of the new version of this page. [6] Koyaanisqatsi is the best known of the trilogy and is considered a cult film. Toch een van mijn favoriete films. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. Posts about Koyaanisqatsi. ", A clip of this film was featured in the 2016 film, The chanted "koyaanisqatsi" lyric from the film's title song was parodied in, This film also inspired RaMell Ross's 2018 Oscar-nominated documentary, This page was last edited on 23 January 2021, at 03:38. card classic compact. In mid-October, Koyaanisqatsi was released onto 40 to 50 screens throughout the country. Footage of the blackout was filmed in Harlem and the South Bronx, and the film was desaturated to match the appearance of the 16 mm footage. Koyaanisqatsi: Life out of Balance. You must be a registered user to use the IMDb rating plugin. Powaqqatsi (or Powaqqatsi: Life in Transformation) is a 1988 American documentary film directed by Godfrey Reggio and the sequel to Reggio's experimental 1982 film, Koyaanisqatsi.It is the second film in the Qatsi trilogy.. Powaqqatsi is a Hopi neologism coined by Reggio meaning "parasitic way of life" or "life in transition". Koyaanisqatsi and Its Complex Legacy-Brows Held High by KyleKallgrenBHH on YouTube, "INTERVIEW: Lone Giant: Godfrey Reggio's 'Naqoyqatsi, "The Past Comes to Life in Horseshoe Canyon", "Complete Original Soundtrack (Orange Mountain Music) OMM 0058". Try watching it with your cynical or populist friends and they'll pour scorn upon it. Koyaanisqatsi An unconventional work in every way, Godfrey Reggio’s Koyaanisqatsi was nevertheless a sensation when it was released in 1983. [8] In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, aesthetically, or historically significant".[9]. In 1972, Godfrey Reggio, of the Institute for Regional Education (IRE), was working on a media campaign in Albuquerque, New Mexico, which was sponsored by the American Civil Liberties Union (ACLU). [13] 16 mm film was used due to budget constraints, despite the preference to shoot with 35 mm film. Released in 1983 on Antilles (catalog no. I've found that the film works best on an emotional level so switch your brain off and just watch and listen. Reggio explained the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. People are shown sorting mail, sewing jeans, manufacturing televisions and doing other jobs with the use of modern technology. We always support watching documentaries legally and many of the films we recommend on Influence Film Club are available where you live too. The film's soundtrack by Philip Glass was released in 1983, after the release of the film. The opening for "The Grid" begins with slow sustained notes on brass instruments. Triumph Films offered to distribute the film, but Reggio turned down the offer as he wanted to work with a smaller company so he could be more involved with the release. Movies; Posts. A collection of expertly photographed phenomena with no conventional plot. In the score by Philip Glass, the word "Koyaanisqatsi" is chanted at the beginning and end of the film in an "otherworldly"[33] dark, sepulchral basso profondo by singer Albert de Ruiter over a solemn, four-bar organ-passacaglia bassline. [34] It was screened later that year at the Telluride Film Festival in August and at the New York Film Festival in September.[35][36]. Koyaanisqatsi. [17] Most time-lapse shots were filmed at a frame rate of 1½ frames per second. The camera stays on them until the moment when they acknowledge its presence by looking directly at it. The Qatsi Trilogy: Koyaanisqatsi, Powaqqatsi, and presenting Naqoyqatsi, directed by Godfrey Reggio. Koyaanisqatsi was originally released on VHS and laserdisc by Michael Nesmith's Pacific Arts Video. Far out. During post-production, Reggio was introduced to Harris' Organism (1975), which predominately features time-lapse footage of New York City streets. (1982). There are few films that reach these heights -- 2001: A Space Odyssey is the only one that instantly comes to mind.Don't analyse it until it's finished. The man-made world is much less appealing. Addeddate 2007-02-07 22:39:49 Album Koyaanisqatsi Artist Versbox External-identifier urn:mb_releasegroup_id:aef9ed21-2978-34ca-9dc8-0740f1d07f7c urn:mb_release_id:b52a2f29-74e5-4f12-b393-ba9a0512d2a1 Format Audio Holder versbox Identifier versboxkoyaanisqatsi A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. The film shows the movement of cars, shopping carts, and televisions on an assembly line, and elevators moving from first-person perspective. The footage focuses on nature, humanity and the relationship between them. People walking by started posing for the camera, thinking it was a still camera, and several shots from the setup ended up in the film. "[3] In the Hopi language, the word Koyaanisqatsi means "life out of balance". The next image is a close-up of a Saturn V rocket during its launch (Apollo 11). [22] Coppola told Reggio that he was waiting for a film such as Koyaanisqatsi and that it was "important for people to see", so he added his name into the credits and helped present and distribute the film. [38] The producers spent $6,500 on marketing the initial release, which grossed $46,000 throughout its one-week run, and was the highest-grossing film in the San Francisco Bay Area that week. To compensate for the lens size, a 2× extender was added, which turned it into a full 35 mm zoom lens, allowing footage to be clearly captured onto 35 mm film. Shots of taxiing United Airlines Boeing 747 aircraft and traffic patterns during rush hour are seen on a freeway and a shot of a large parking lot. Want to share IMDb's rating on your own site? Fricke insisted to Reggio that the money could be used to produce a film, which led to the production of Koyaanisqatsi. In 1998, Glass rerecorded the album through Nonesuch Records with a length of 73 minutes, 21 seconds. A 1991 issue of Variety listed Koyaanisqatsi's box-office gross at $3.2 million.[2]. [45], On Rotten Tomatoes, Koyaanisqatsi has an approval rating of 90% based on 20 reviews, with an average rating of 8.01/10. A visual montage portrait of our contemporary world dominated by globalized technology and violence. The film then shows clips from various television shows being channel surfed in fast motion. It's because, from my point of view, our language is in a state of vast humiliation. Fricke wanted the footage to "look normal" and not contain any "gimmicky" special effects. Environment, Society / 7 Comments The amazing documentary film contains several cinematic sequences accompanied by recurring musical themes. Shooting bums, as well as buildings, didn't matter. The two-week shoot included aerial footage taken from an airplane using a hand-held camera and ground footage taken using a tripod. 1982 film by Godfrey Reggio and Philip Glass. "Koyaanisqatsi (1983) | The Criterion Collection", "Koyaanisqatsi – Life Out of Balance (1982)", Gymnázium a Hudební škola hlavního města Prahy, Twentieth Century Women (2016)-Walter's World, Review: Mike Mills' "20th Century Women" on Notebook|MUBI, "What Songs Appear on the 'Watchmen' Movie Soundtrack? A surreal biopic of Armenian poet Sayat Nova, depicted through non-narrative amalgamations of images, hailed as revolutionary by Mikhail Vartanov. [47] Czech pedagogue Rudolf Adler, in his textbook for film educators, describes Koyaanisqatsi as "formulated with absolute precision and congenial expression."[48]:60. The website's critical consensus reads "Koyaanisqatsi combines striking visuals and a brilliant score to produce a viewing experience that manages to be formally daring as well as purely entertaining. As there was no formal script, Fricke shot whatever he felt would "look good on film". United States, 1982. Koyaanisqatsi: Life Out of Balance (Koyaanisqatsi: Dengesiz Hayat) - Trailer [HD] Godfrey Reggio, Ron Fricke, Michael Hoenig, Lou Dobbs, Ted Koppel Epilogue shows the translation of the titular Hopi word and of the prophecies sung in the last part of the soundtrack. It will still keep you glued to your seat and show you an insightful new perspective on the world as it is today (and as it was when the movie was filmed). The rerecording of the album featured two additional tracks from the film, as well as extended versions of previous tracks from the original album. Communities. Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders. Enter your location to see which movie theaters are playing Koyaanisqatsi near you. The section shown depicts several tall, shadowed figures standing near a taller figure adorned with a crown. [40], Metro-Goldwyn-Mayer (MGM) eventually received the rights to the film, and Koyaanisqatsi was released on DVD by MGM Home Entertainment on September 18, 2002, coinciding with the release of Naqoyqatsi (2002). The footage focuses on nature, humanity and the relationship between them. The frenetic speed and pace of the cuts and music do not slow as shots of modern leisure are shown. The final sequence shows footage of a rocket lifting off, only to end up exploding after a few seconds. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images. The man-made world is much less appealing. Koyaanisqatsi is an impressive visual and listening experience, that Reggio and Glass have made wonderful pictures and sounds, and that this film is a curious throwback to the 1960s, when it would have been a short subject to be viewed through a marijuana haze. Fandango FANALERT® Sign up for a ... Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. [12], Fricke and Reggio chose to shoot unscripted footage and edit it into an hour-long film. Koyaanisqatsi combines striking visuals and a brilliant score to produce a viewing experience that manages to be formally daring as well as purely entertaining. Written by Read full review In 2010 mocht ik de film eindelijk een keer met live muziek van Philip Glass erbij zien. Trending Now. As the credits roll, multiple sounds from news programs and telephone calls are played. Far out. Check out the exclusive TVGuide.com movie review and see our movie rating for Koyaanisqatsi Was this review helpful to you? Photograph: Murdo Macleod for the Guardian. The first shots are traffic patterns as seen from skyscrapers at night. A visually poetic mediation on the toll that modern technology is having on humans and the earth. Koyaanisqatsi (Original Motion Picture Score). The chapters on the Koyaanisqatsi DVD are separated and named by the titles of the musical sections. garykmcd. This experimental film looks at the world and more specifically the effect man has had on the landscape and the environment. The sequence begins to come full circle as the manufacture of cars in an assembly-line factory is shown. The footage was processed with a special chemical to enhance the film's shadows and details, as all footage was shot only with existing lighting. [25], The complete original soundtrack recording was released on CD in 2009 on Glass's own label Orange Mountain Music. ''KOYAANISQATSI'' is a slick, naive, chic, maddening, sometimes very beautiful movie that, if it were a book, would look great on a coffee table. Reggio was impressed with Harris' work and subsequently hired him to work on Koyaanisqatsi. The release features 5.1 surround sound audio and a restored digital transfer of the film in 1.85:1 aspect ratio, approved by director Godfrey Reggio. Editing suggests that there is only one rocket, while in fact two different events were used: The first batch of footage shows a Saturn V lifting off (Apollo 11), followed by footage of the May 1962 explosion of the first Atlas-Centaur. The music has become so popular that the Philip Glass Ensemble has toured the world, playing the music for Koyaanisqatsi live in front of the movie screen. [18] To keep the shot of the 747 within the frame, the camera was slowly moved by increasing the voltage to the gear motors. The IRE's $40,000 was exhausted after the filming, and almost two cases of film had been used. Koyaanisqatsi, a classical music Album by Philip Glass. [17] The time-lapse shot overlooking the freeway in Los Angeles was filmed from the top of a building through a double exposure, with ten-second delay between frames. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass. Koyaanisqatsi is a breathtaking visual essay and a piece of film history. [13][14] Footage of the Pruitt–Igoe housing project was shot from a helicopter, and Fricke nearly passed out during filming, having never flown in a helicopter before. The film's cinematographer Ron Fricke went on to direct Baraka, a pure cinema movie that is often compared to Koyaanisqatsi. [17] The first image in the film is of the Great Gallery pictograph in Horseshoe Canyon, in Canyonlands National Park, Utah. Personally, I view the film as the quintessential environmental movie … Luisteren en voor mij is dat al tig jaar het summum op muziekgebied, a version... Film ; Glass released it as part of the film was used due to the film is of the Hemisphere!, directors, writers and more specifically the effect of, it 's because, from my point of,. Day for two years as shots of various housing projects in disrepair, includes! Seen from all walks of modern life, from my point of view, our is... Club are available where you live too of conveyors is followed by an extreme time-lapse of... 'S still enthralling cobwebs spun back and forth in the United States on October 18,.! Langdon Winner, and Reggio chose to shoot with 35 mm film [ 13 16! 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